The Melody of Speech

Nuit Blanche

Saint-Eustache church, Paris

2022

Benjamin Loyauté

To mark the 20th anniversary of the Nuit Blanche event on Saturday 1 October 2022, Rubis Mécénat invited artist Benjamin Loyauté to take to the Saint-Eustache church in Paris for a very special performance. The Melody of Speech unfolds like a contemporary fable, rooted in the UN’s World Charter for Nature, which is celebrating 40 years of existence in 2022.

Defined by the poetry of the ordinary, the work of Benjamin Loyauté depends on the activation of his works, the mutual coupling of sculpture and performance in order to exist. Here, the performance potential is marked by the physical presence of a sculptural circular base, which itself can only be read as such through the implicit presence of the objects that complete it or of an interpreter performer who could stand on it. Rather than thinking of sculpture and performance as diametrically opposed, Loyauté imagines them as “actants” that come together to form a living and dynamic whole that invites experience and engagement. The Melody of Speech relocates our aention and imagines a dubplate, a psalm that is both frank and poetic sometimes delivered at light speed, oen mixed with punk surrealism and invisible street music, chiseled like his sculptures of meditations composed of signs, traces of birds or sacred germinations.

Benjamin Loyauté

Benjamin Loyauté (born in 1979, Normandy) is a French visual artist who lives and works between Brussels, Paris, Cusco and Madagascar. His practice investigates the invisible logics that structure and unsettle our relation to the world: perception, collective narratives, hubris and transmission. Through sculpture, film, installation and performance, he develops an ecology of meaning where each work becomes both an object of meditation, of dissemination, and a vector of affective, cognitive and cultural connections. Inspired by phenomenology, geopolitics and the social sciences, he pursues research on language and social sculpture. Recognized for his work on immateriality and societal transformations, he also questions the forms of attention capture and the value of the common good. His personal stories are never far: they resurface as unstable variables, turning his practice into a continuous field of experimentation. His works have been exhibited at the MoMA (New York), the Power Station of Art (Shanghai), the MUDAM (Luxembourg), the Musée national de l’histoire de l’immigration (Paris), Kanal-Centre Pompidou (Brussels), Hakanto Contemporary (Antananarivo), the MAMC+ (Saint-Étienne) and Somerset House (London), where he represented the first French Pavilion at the London Design Biennale 2016 with a hybrid installation and a film. Through his series WeArtChange and projects such as Voir la mer, Déposséder le mondeand L’Ultimo Regalo, he conceives art as a tool for attention, subjectivation, emancipation and active resistance.